Flora Artemieva

Lost & Foundry is a unique collection of 7 typefaces based on the disappearing signs of Soho, these are at risk of being lost forever due to the ever changing landscape of the area. By re-imaging the signage as complete fonts, we have rescued this rich visual history from the streets and present the typefaces into a contemporary context for a bright optimistic future.

We are partnered with The House of St. Barnabas, a private members club in Soho Square, whose work as a not for profit charity aims to break the cycle of homelessness in London. 100% of the proceeds from sales of fonts go directly to the House to help their essential work.

We can’t wait for these typefaces to acquire a new life in a new context, so why not share with us how you use them.

Pele is a champion typeface, a larger than life headline face inspired by the legendary football star. Strong and definitely unique. FS Pele looks great in posters.

Hybridea is a serif font family which I designed to look strong but elegant.

You can use it as a display font or for longer texts. The name comes from the combination of style elements like curved serifs & big drops. I included all glyphs from all latin and even other languages so you can type them.

I am looking forward to see your products using Hybridea.

Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support. 

Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.

(*) Take a look at the User Guide to see all the features available.

Our latest font Miadiena Script is a sweet hand-lettered, casual and dynamic font with a dancing baseline. Miadiena Script can be used easily and simply, and is perfect for branding, logos, greeting cards, wedding stationery, quotes and more.

Miadiena Script comes with a handy set of Opentype Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

These are coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

How to access all alternative characters, using Windows Character Map with Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all alternative characters using Adobe Illustrator:

http://youtu.be/iptSFA7feQ0nn

Don't hesitate to drop me a message if you have any issues or queries.

I'm really excited to introduce Hamer, a new old school typeface with a vintage look! Hamer is available in 2 different styles, solid and rough. Hamer is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more.

Features

• UPPERCASE
• Lowercase
• Numbers & Symbol
• International Glyphs
• Alternative UPPERCASE
• Alternative Lowercase
• Ligatures

If you need anything else, just shoot me on email at: dedukvic@gmail.com

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look 1970s!

Gusset is a simple modular font. It was created for headlines and posters. It creates a dense and interesting texture in the text set. Simple rounded curves contrast with "wedges". 

Gusset supportsBasic Latin, Cyrillic and more than 100 languages all together.

The font was designed by Viktor Pesotsky.

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.

Yuge is a handwritten font - made with a Sharpie pen.

Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

The family is equipped with

7 cuts — light to heavy —

2 extra versions “Placard” to set very large

stylistic alternates with letterforms that are round-edgy

alternates with flat diacritics

standard and oldstyle figures

and a variable font

What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.

Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.

— —

Graphic design by Salzmann Gertsch, Switzerland.

“We think the Energy has a great style and it’s also fun to design with it!”

Thirdlone is a handmade typeface with monoline script and sans. This font is perfect to be used as t-shirt designs, logo/brands, signatures, headlines, lettering quotes, and more. It also comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and multi-lingual support.

Thirdlone Script includes 3 different styles: Regular, Stamp, and Ink.

Thirdlone Sans includes 4 different styles: Regular, Stamp, Ink, and Edge.

Regular styles are a regular style that have clean look on it.

Stamp styles give you aged texture on the font that will push out the vintage feel.

Ink styles will give the font a little bit of an ink feel.

The Edge style give this font a rough feel on its edge.

You can choose one of the styles mentioned above that match perfectly for your style, or just mix and match it.