Qisharon is a contrast sans serif font, consisting of four styles (light, book, regular, bold) and including 5 writing systems such as Latin (supporting all European languages and Turkish), Cyrillic, Greek, Hebrew, and Arabic. It is based on classic calligraphic rules and respects the traditions of every script. There are plenty of ligatures, that will draw attention to your design. Qisharon with it's formal and elegant nature is a perfect fit for logos, visit cards and magazine headings.
Showing posts with label arabic glyphs. Show all posts
Showing posts with label arabic glyphs. Show all posts
Download Qisharon Font Family From LetterMuzara
Download Lava Pro Font Family From Protype
September 26, 2019
Arabic
,
Arabic Font
,
arabic fonts
,
arabic glyphs
,
arabic letters
,
arabic typefaces
Lava Pro is the upgrade from old Lava Arabic version 1.0. It's Arabic condensed/narrow with grunge and rough style for vintage style posters, brands or ads maybe for food ads or movie poster. Lava Pro is supported by Opentype Features with many Stylistic Alternates and Discretionary Ligatures and It's support Arabic, Persian, Urdu and Latin.
Designed and Created by Ibrahim Hamdi Copyright © 2019 by Protype. All rights reserved.
Download Tarif Font Family From Zetafonts
Tarif is a typeface family inspired by the multicultural utopia of Convivencia - the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics.
Designed for Zetafonts by Andrea Tartarelli, is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme ink traps, and postmodern unorthodox reinvention of traditional grotesque letter shapes.
The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the latin letters find a natural connection with modern arabic letterforms.
As buoyant as reliable, Tarif includes also a wide array of Open Type Features (alternates, ligatures, positional numerals, case sensitive punctuation) to make design smooth and multi-script projects as exciting as a surf ride in the sunny Tarifa.
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