Flora Artemieva

June is a contemporary neo-grotesque sans-serif typeface designed to be highly legible, readable, and usable. The clarity and mathematics were inspired by the research into type form by Adrian Frutiger. June was designed by developing a modern and unique approach to his findings. June's legible features include a near uniform stroke width, open apertures and counters, angular cut stems, and a large x-height. Italics are angled at eight degrees and have been redesigned to provide a stylistic difference without reducing legibility. June comes in seven weights, from Thin to Bold, each equipped with OpenType features. June can be used for all print sizes, and has characteristics that are more visible at larger sizes. June was inspired by a close family member of the designer. A part of all sales will be donated to Alzheimer's Society. Free Variable Font: If you buy the full family, you will also receive the Variable Font version of June, without extra charge.

Roxon is a sans serif typeface of 4 weights from Extra Light to Bold and can be used as both a headline and text face. Roxon is recommended for using in long-form writing and articles, since a serif is far more readable for longer passages of text. The typeface has a carefully crafted weight range, with ligatures.

Excellent futuristic font with pretty rounded angles will fit any title or heading. It supports more than 20 European languages. This font is unique for it's elegant and thin letters. Font's idea came to the designer in the late autumn when tender yellow leaves fell to his hands. The combination of straight lines and bows had sparked a thought about the font, that could be used as awesome decoration.

I set out to design a monospaced font and decided it would look way better if it wasn't. It gave me the freedom to make the individual glyphs more interesting while retaining the mono-look. The numerals are tabular! Enjoy!

Bloxhall is a sans serif display font with an art deco inspired style. This font family includes outline, faded and layered versions, with an extra offset variation to make layering super easy. Bloxhall's different variations and solid retro look, make it a perfect set for poster design, logotypes & branding, editorial design, titles, short phrases & slogans. Your creativity is the limit!

Ludema is a very informal and adventurous typeface designed by JAM Type and inspired by the many children’s books and the video games of our youth. Perfectly adaptable to be used in such designs as well on shop floors, Ludema is simply a bit of fun.

Silk Sans Display is the sans version of the high-contrast typeface Silk Serif. The main feature of the font family is the disconnection between the bowls and the stems. However, the bowl is very close to the stem, creating the illusion of connection. Silk is delicate and legible — but above all, it is sophisticated. Silk Sans Display is available in 7 weights, from Extra Light to Black, and supports Western, Central and South-Eastern European languages.

Molor Font is a sans serif font with an amazing feel. It will turn any design idea into a stand out.

Molecula is grotesque sans serif of slightly condensed proportions and humanist-grotesk features. The family features 9 weights from Thin to Black, each of which has an italic. The character set is robust, covering extended latin. All completely equipped with opentype features, alternative glyphs, fractions, lining numbers, small caps, subscript and superscript. Molecula has been designed for advertising, branding, packaging or anywhere a clean and contemporary voice is needed.

Matteo is a family of geometric sans serif fonts. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. The family includes 14 styles; there are seven weights, ranging from Thin to Bold. Each of these includes a companion italic. Matteo’s italics have an extreme angle (15º), which is quite unusual for a sans serif design. These italics are oblique in form, with a single-storey ‘a’ in place of the upright’s double-storey ‘a’. Matteo is an excellent selection for use in editorial and corporate identity designs, as well as advertising or annual reports. The shapes of its letterforms, as well as their spacing, have been optimized to create a pleasant reading experience, even in longer texts. The most prominent feature of the typeface is its geometric construction, which is based on circles and ovals. Letterforms in all seven of the weights are based on the same skeleton, with the ‘O’ maintaining its circular proportions (this makes Matteo’s lighter weights feel wider than its heavier ones). Several of Matteo’s letterforms include sharp corners, e.g., the ‘A’, ‘N’, ‘M’, ‘V’, ‘W’, and ‘Z’, as well as in the numerals ‘2’, ‘3’, and ‘7’. The capital ‘T’, ‘E’, ‘F’, and ‘Z’ each feature slightly angled endings on their horizontal strokes. Three special characters are particularly noteworthy in terms of their design: ¶, ≠, and &. Each font includes four sets of numerals, as well as a full range of subscript and superscript figures for typesetting factions. The period, comma, colon, and semicolon have the same width in each of the family’s 14 fonts; this allows users to set tables more easily. The fonts are also ‘logo-ready’, with extensive kerning having been defined even between the lowercase and uppercase letters. This enables the easy typesetting of CamelCase terms, like ‘SonVender’, ‘eTones’, ‘MunYan’, etc., without any ugly gaps appearing between lowercase and uppercase letters.

Copenhagen Grotesk Nova is based on its 2015 predecessor (Copenhagen Grotesk). The Nova is carefully designed with new details, a simpler set of glyphs and with moderate descenders and ascenders in relation to less accentuated capitals. Download the whole font family of light, regular and bold for free!

Retro style is hip, so are early 20th century poster fonts. Size is based on these extra condensed letter forms. In the 19th century the need to communicate commercial messages on limited poster space brought up extremely condensed fonts creating a new typographical look. Since not really legible in small sizes these fonts nearly disappeared with the change in the commercial communication in the 20th century. For a couple of years now, these extra condensed fonts have a revival copying the exact historical appearance of its predecessors. Size, though also seeking the inspiration in the historical draft, furthermore aims to interpret this compressed look in a more vivid way by not closing in on the open counters of the round letters, but having its stroke endings slightly curved. Since other characters are defined by straight strokes, Size displays a look more vital and candid, but still distinct, compared to its historical predecessors.

In the last decade of the 19th century, Bruce Type Founders, New York - among others - released this shaded typeface which they named Bowery. Carefully redrawn and digitized, RMU Bowery breathes fresh life into this great design.

Born in the lab as a research experiment, Reboot is great for that certain 70’s sci-fi need. It’s filled with the angular curves of the technology of yore, with full diacriticals for Eastern European Cold War era galactic display copy. It’s the first font of a series of research experiments, varying from rectilinear to ovoid.