Artartika contains two Regulars – one Slab and one Sans Serif. Condensed width, geometric shaped, with distinctive stem contrast, Artartika recommends itself for titles, product names, branding, but it's also fully applicable for longer text and paragraph use. Contains Extended Latin character set with Cyrillic support.
Showing posts with label Legible. Show all posts
Showing posts with label Legible. Show all posts
Download Artartika Font Family From Tour De Force
Download Ostent Font Family From Stuart Hazley
Ostent is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451.
This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility.
Each of the three weights have been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces.
Ostent can be used across a wide range of design mediums (both print and screen).
Download Cinio Text Font Family From TeGeType
The new Cinio Text type family is a version of Cinio that can be used on screen and for text composition. The rounded corners of the glyph design increase its legibility in small size and on supports with a low resolution.
Download Masny Font Family From Tour De Force
Masny is a modern sans serif family that comes in 22 weights. It contains Stylistic and Contextual Alternates. Masny is intended for use in every situation, from editorial design to branding.
Download Astrup Font Family From Indian Type Foundry
Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals for the better setting of fractions. Many of Astrup’s capital letters seem very geometric. For example, the ‘G’ does not have a spur at its bottom-right, and the tail of the ‘Q’ is a simple, vertical stroke. The lowercase ‘a’ in the Astrup fonts is double-storey, while the ‘g’ is single-storey. The ‘f’ and ’t’ are very wide. The dots on the ‘i’ and ‘j’ – as well as the fonts’ dot-based punctuation and diacritical marks – are circular. Astrup is an excellent selection for use in branding, or in other kinds of corporate identity design. It may also be put to good use in editorial designs for publications about contemporary lifestyle issues. Astrup is the work of Frode Helland, a type designer from Norway.
Download June Font Family From Ross Hammond
June is a contemporary neo-grotesque sans-serif typeface designed to be highly legible, readable, and usable. It is genuine, honest and respectable to typographic forms. The clarity and mathematics were educated from research into type forms by Adrian Frutiger. June was designed by taking a modern systematic approach to his findings.
June's legible features include a near uniform stroke width, open apertures and counters, angular cut stems, and a large x-height. Italics are angled at eight degrees and have been redesigned to provide a stylistic difference without reducing legibility.
June comes in five weights, from Thin to Bold, each equipped with OpenType features. June can be used for all print sizes, and has characteristics that are more visible at larger sizes.
June was inspired by a close family member of the designer. A part of all sales will be donated to Alzheimer's Society.
Download Lucida Calligraphy Font Family From Monotype
Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles.
The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.
Download Lucida Handwriting Font Family From Monotype
Lucida Handwriting is a casual, connected script designed for smooth and fun reading on screens and in print. Its relaxed personality and vigorous energy sends a distinctive message. Lucida Handwriting was originally released in one weight. It is now available in five weights, from Thin to Black.
Lucida Handwriting was designed by Kris Holmes and Charles Bigelow based on historic blackletter style cursives. As with other joining script typefaces, all capital letters usage is not recommended: it is best to use upper and lowercase for optimal legibility.
Lucida Handwriting is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles.
The Lucida Handwriting typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.
Download Catalyst Font Family From Ryan Williamson
Catalyst is an attempt at increasing the economy of print while retaining optimal legibility through type design. This type family does so through subtle and intentional OpenType features, as well as referencing successful past attempts throughout history.
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