Showing posts with label editorial design. Show all posts
Showing posts with label editorial design. Show all posts

Download Diodrum Rounded Font Family From Indian Type Foundry

Download Diodrum Rounded Font Family From Indian Type Foundry


Diodrum Rounded is a spurless sans family for the Latin script. ‘Spurless’ typefaces feature smooth transitions from letters’ stems into their curved strokes. The design is generally monolinear. Diodrum Rounded’s x-height is tall, and counter-forms are large and open. Instead of being drawn with straight lines, Diodrum Rounded’s diagonals swell outward. This gives letters with prominent diagonals an increased dynamism. The Diodrum Rounded typeface appears friendly & legible and is available in six weights; the lightest of which is an ExtraLight font – a unique addition to our library. Due to its multiple weights, versatile range, and formal style, Diodrum is an excellent choice for usage in Corporate Design and UI/UX Design applications.


Related Fonts: Diodrum.




Download Diodrum Rounded Font Family From Indian Type Foundry


Download Quenbach Font Family From Brenners Template

Download Quenbach Font Family From Brenners Template


Quenbach is a classy and geometric font family that includes 36 weights. Especially, this Font family has elaborated the Kerning Process to be useful in Editorial Design. It also supports Cyrillic Basic Charset and OpenType Features including Small Caps. Basically, the glyphs were geometrically designed, and some glyphs were customized to improve readability. Of these fonts, the thin weight font is designed to be thinner than the other products. This thinnest stroke can be useful in editorial design. And Qunbach Condensed Font Family will be used more accurately for editorial and web designer's needs.


Download Quenbach Font Family From Brenners Template


Download Prayuth Font Family From Typesketchbook

Download Prayuth Font Family From Typesketchbook


Prayuth is a contemporary sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Prayuth font family supports multiple languages and is available as both webfont and desktop font.


Download Prayuth Font Family From Typesketchbook


Download Friends Font Family From W Foundry

Download Friends Font Family From W Foundry


Friends is a complete and contemporary language system for postmodern graphics. Inspired by the idea of making new art and graphic design keeping in mind new ways of visual language like emojis as a formal way of communication and contemporary graphic arts. Friends is perfect for web design, postmodern arts, book design, posters, editorial design, branding, advertising, headlines, and short texts. Friends includes 14 style typeface plus italics, icons, emojis, arrows, ligatures, fractions, special numbers, etc.


Download Friends Font Family From W Foundry


Download Bridge Head Font Family From TypeMates

Download Bridge Head Font Family From TypeMates


With three different widths in six weights, Bridge Head has the perfect voice for stunning titles. A solo career in posters, banners and logos doesn’t stop Bridge Head from rocking in concert: each of her 18 display styles can work together with Bridge Text to tell stories and build complex typographic ensembles in editorial and corporate design. Where other display typefaces let their thin strokes fade away, Bridge Head keeps the volume and emphasises her wedge serifs and curvy detailing. A large x-height brings out her distinctions, like the four-cornered counter shapes, the voluminous terminals and the monolinear lines that connect her thick strokes and help give Bridge her graphic image. A type system flexible enough to bridge print publishing to digital media, with a kickass K and rebellious R, Bridge Head can shout out loud and make a design that can take her intensity unmistakable and independent of slick conventions. With hands-on OpenType features like small caps and case-sensitive punctuation and more than 800 glyphs, Bridge can fulfill your every display need. Adobe Latin 3 (and beyond) encoding gives a wide range of Latin language support and additional helpful symbols like the charming manicules and dingbats complete a rich typographic palette. Bridge’s ideas and foundations began during TypeMedia 2018 in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!


Download Bridge Head Font Family From TypeMates


Download -OC Format Sans Font Family From OtherwhereCollective

Download -OC Format Sans Font Family From OtherwhereCollective


-OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic. Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific. Made with tireless attention to detail and kerning it's perfect for logotypes and extensive text, supports multiple languages and comes with a plethora of OpenType features including standard and discretionary ligatures, social icons, symbols, and multiple figure styles including roman numerals.


Download -OC Format Sans Font Family From OtherwhereCollective


Download Troy Sans Font Family From Indian Type Foundry

Download Troy Sans Font Family From Indian Type Foundry


Troy is a pair of related sans and serif titling fonts. Each version is available in a single weight. The fonts’ lowercase letters all take the form of small capitals. Particularly the serif font – simply called Troy – is reminiscent of inscriptional letterforms. This tip of the hat to the very origins of our Roman capital letters gives the typeface an immediate feeling of formality and solemnity. Troy Sans, while sharing Troy’s proportions, feels more contemporary – although its letters would not be out of place on an inscription, either. Each of the fonts contain several alternate letterforms. In Troy, some of the alternate letters contain a mystical feeling; in Troy Sans, the same alternates look almost medieval, particularly ‘A’, ‘E’, ‘G’, ‘a’, ‘e’, and ‘g’. Other alternate characters are more sober versions of the default letterforms: in their default state, for instance, the ‘O’, ‘Q’, ‘o’, and ‘q’ each have a dot inside of their counters. The alternate versions of those letters are dotless. There are three versions of the ampersand in each font, too, as well as eighteen ligatures. Included among those are ligatures like ‘LI’ and ‘CO’, where the second letter is cradled inside of the counter of the first, as well as doubled letters like ‘NN’, ‘OO’, and ‘TT’ that were found in Ancient Roman inscriptions. The Troy fonts were designed by Ilya Naumoff, a graphic and typeface designer in Paris.


Download Troy Sans Font Family From Indian Type Foundry


Download Motiraw Font Family From Typesketchbook

Download Motiraw Font Family From Typesketchbook


Motiraw is contemporary sans-serif typeface made up of 28 fonts across 7 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. Motiraw font family supports multiple languages and is available as both webfont and desktop font.


Download Motiraw Font Family From Typesketchbook


Download Passenger Sans Font Family From Indian Type Foundry

Download Passenger Sans Font Family From Indian Type Foundry


Passenger Sans is a large family designed for editorial projects. You can build great design systems using just its fonts, or you could combine them with two related ITF families: Passenger Serif and Passenger Display. Passenger Sans’s letterforms have compact proportions; their apertures are small. In the upright fonts, all strokes end at horizontal or vertical angles. Long passages of text set in the typeface are comfortable to read. Passenger Sans’s fonts have are proportionally-spaced lining figures as the default numerals, but with OpenType features, oldstyle figures and tabular figures are also available. In the upright fonts, the ‘a’ and the ‘g’ are double-storied, while in the italics they’re single-storied – the ‘opposite’ version is always available as an OpenType alternate. Fonts have alternate forms of ‘Q’ and the ampersand (&) as well.


Download Passenger Sans Font Family From Indian Type Foundry


Download Auster Slab Font Family From Resistenza

Download Auster Slab Font Family From Resistenza


Auster Slab, is a new slab version of our reversed contrast sans serif font Auster. This font family works very well on packagings, branding and editorial purposes.


Download Auster Slab Font Family From Resistenza


Download Germalt Font Family From Typesketchbook

Download Germalt Font Family From Typesketchbook


Germalt is a geometric typeface made up of 32 fonts across 8 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Germalt font family supports multiple languages and is available as both webfont and desktop font.


Download Germalt Font Family From Typesketchbook


Download Tasman Font Family From Re-Type

Download Tasman Font Family From Re-Type


Originally published by OurType, Dan Milne’s Tasman has found a new home at Retype. Milne first conceived Tasman as a typeface for newspapers. This influenced the proportions and look of the face considerably: the goal was to keep the personality as warm and playful as possible without losing the credible tone required to deliver all kinds of news. A sturdy, warm type family that is neither mechanical nor fragile. It borrows its name from Abel Janszoon Tasman (1603–1659), a Dutch seafarer, explorer, and merchant who mapped parts of Australia in 1642, including Van Diemen’s Land (now known as Tasmania). Tasman’s primary purpose is an unbiased presentation of information; it strives for neutrality over elegance. Its characters are sturdy and unambiguous, sporting strong serifs, punctuation, and diacritics, as well as generously sized small caps and hybrid figures. Rationalized letterforms give the face enough robustness to withstand the stress of screen applications and laser printing. The figures’ three-quarter x-height makes them considerably larger than traditional oldstyle numerals, yet they still integrate with the lowercase much better than lining figures do. Although initially intended for newspapers, Tasman’s somewhat corporate, objective appearance also makes it an excellent candidate for digital and print magazines, websites, annual reports, and corporate identities. Tasman is a suite of feature-rich OpenType fonts fully equipped to tackle complex, professional typography. The character set includes small caps, fractions, case-sensitive forms, bullets, arrows, special quotes, and nine sets of numerals. Besides standard Latin, its extensive character set supports Central European, Baltic, and Turkish languages.


Download Tasman Font Family From Re-Type


Download Glysa Font Family From VB Studio

Download Glysa Font Family From VB Studio


A font intended to convey brands and stories, to become a logo or a headline, created by graphic designer Victor Bartis. Displaying personality, vitality, a bit of playfulness and a bit of elegance, it is made to capture the attention. It is inspired by peculiar, quirky and artistic graphic design.


Download Glysa Font Family From VB Studio