Flora Artemieva

Say hello to New Stylish Script, Grandiose! This font combines stylish letter shapes with contemporary twist. It's the perfect fit for all luxury projects, such as elegant logos, printed quotes, lovely wedding invitation cards, social media headers, product packaging and a lot more! It includes full set of elegant uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques+you can do embroidery, laser cut, gold foil etc. What's Included? - Grandiose OTF - More than 100 of glyphs - Ligatures - Works on PC & Mac - Simple Installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. - Multilingual Support Let me know if you have any other questions. Thanks and have a wonderful day, dharmas

Christopher Pen Brush is a modern style, handmade calligraphy font, that includes decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more! If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

Malvina is a font script that is beautiful and unique. It is a model of modern calligraphy typefaces, in combination with a calligraphy writing style. This font includes: Swash Alternates Standart ligatures Stylistic Alternates Stylistic sets Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Casttano is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. This font including alternate glyph. You can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user). Ligature & alternate glyph: at att bt btt ct ctt dt dtt et ett ft ftt gt gtt ht htt it itt jt jtt kt ktt lt ltt mt mtt nt ntt ot ott pt ptt qt qtt rt rtt st stt ut utt vt vtt wt wtt xt xtt yt ytt zt ztt Foreign languages support: ÀÁÂÃÄÅÆÈÉÊËÌÍÎÏÐÑÒÓÔÕÖÙÚÛÜÝßàáâãäåæèéêëìíîïðñòóôõöùúûüýÿ Thanks for looking.

Introducing Andora, a beautiful, full-featured modern calligraphic font with tons of alternate characters and OpenType features. Andora hand-lettered is particularly well-suited for invitations, branding and editorial design. Perhaps the most fun thing about Andora is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with layouts and compositions. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Angars Runes is a Middle Age style rune typeface. With engraved letterforms and gothic curves, this font is the perfect addition to a medieval project. The font was drawn and created by Måns Grebäck in 2019. Use the symbols plus + period . multiply × colon : for decorative separators. Angars Runes contains all characters you will ever need, as well as numerals and alternate letters. This is a font with multilingual support.

Silenter is suitable for all your design project needs such as: logo design, branding, covers, posters, magazines, wedding invitations, greeting cards, quotes and more. Silenter includes Titling, swash characters, and Stylistic Alternates Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Encoded PUA Characters Fonts are fully accessible without additional design software. Happy designing...! Thanks.

Megalito Slab Serif Cyrillic is a display font of geometric construction, very vertical, with extra condensed proportion for the creation of large titles with significant savings in horizontal space, it has an extended character table (721 glyphs) that includes small letters, 7 numeral sets, fractions dynamics with numbers and letters, collection of currency symbols, ligatures, alternative letters and etc. This retro-style typography refers to the design of posters and posters made from the mid-20th century until today.

Matteo is a family of geometric sans serif fonts. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. The family includes 14 styles; there are seven weights, ranging from Thin to Bold. Each of these includes a companion italic. Matteo’s italics have an extreme angle (15º), which is quite unusual for a sans serif design. These italics are oblique in form, with a single-storey ‘a’ in place of the upright’s double-storey ‘a’. Matteo is an excellent selection for use in editorial and corporate identity designs, as well as advertising or annual reports. The shapes of its letterforms, as well as their spacing, have been optimized to create a pleasant reading experience, even in longer texts. The most prominent feature of the typeface is its geometric construction, which is based on circles and ovals. Letterforms in all seven of the weights are based on the same skeleton, with the ‘O’ maintaining its circular proportions (this makes Matteo’s lighter weights feel wider than its heavier ones). Several of Matteo’s letterforms include sharp corners, e.g., the ‘A’, ‘N’, ‘M’, ‘V’, ‘W’, and ‘Z’, as well as in the numerals ‘2’, ‘3’, and ‘7’. The capital ‘T’, ‘E’, ‘F’, and ‘Z’ each feature slightly angled endings on their horizontal strokes. Three special characters are particularly noteworthy in terms of their design: ¶, ≠, and &. Each font includes four sets of numerals, as well as a full range of subscript and superscript figures for typesetting factions. The period, comma, colon, and semicolon have the same width in each of the family’s 14 fonts; this allows users to set tables more easily. The fonts are also ‘logo-ready’, with extensive kerning having been defined even between the lowercase and uppercase letters. This enables the easy typesetting of CamelCase terms, like ‘SonVender’, ‘eTones’, ‘MunYan’, etc., without any ugly gaps appearing between lowercase and uppercase letters.

Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals for the better setting of fractions. Many of Astrup’s capital letters seem very geometric. For example, the ‘G’ does not have a spur at its bottom-right, and the tail of the ‘Q’ is a simple, vertical stroke. The lowercase ‘a’ in the Astrup fonts is double-storey, while the ‘g’ is single-storey. The ‘f’ and ’t’ are very wide. The dots on the ‘i’ and ‘j’ – as well as the fonts’ dot-based punctuation and diacritical marks – are circular. Astrup is an excellent selection for use in branding, or in other kinds of corporate identity design. It may also be put to good use in editorial designs for publications about contemporary lifestyle issues. Astrup is the work of Frode Helland, a type designer from Norway.

Good Sport JNL has nothing to do with any of the major sports activities such as baseball, football, basketball or soccer. Instead, the typeface gets its name from the sport of camping, as the lettering was spotted on an image of an old ad for the Colonial Forest-Master boy’s pocket knife. Good Sport JNL is available in both regular and oblique versions.